ART DECO STYLE

........................................................................Vogue Cover, 1923, Lepape

1935
Big Head Cover

Japanese Magazine, 1926

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Japanese Fashion Magazine, 1920s

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erté...

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Con molto sentimento, Fashion Illustration: André Edouard Marty, 1921,
......................................................Evening Dress by Paul Poiret

Artist Feature Fashion Illustrations
LTM Collection

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r.: fashion illustration by A.E. Marty, 1921, Evening Coat by Paul Poiret

http://www.colourlovers.com/photocopa/102058/Unnamed_Photo

Fashion Drawings by Helen Dryden (1887-1981)

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Vogue Cover, Jan 1927,
GEORGE WOLFE PLANK (1883-1965)
In 1911, he was hired byVogue and continued to supply illustrations and cover designs for the magazine until 1936...(Yale Collection-Beineke Rare Books)

Eduardo Garcia BENITO, 1926
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......................................................................Alix Zeilinger, 1933

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......................................................Vogue, 1935, July, Cecil Beaton

Vogue, 1933, January, Eric (Carl Erickson)

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1920's Arrow Shirts Advertising posters by Joseph C. Leyendecker

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template Feathered Friends by praxicalidocious

Vogue, 1927, Pierre Brissaud

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Paul Poiret’s La Perse coat, 1911,
with block-printed textile design by Raoul Dufy
Metropolitan Museum of Art



c. 1920, Composition with Flowers, textile design


Mme Dufy, 1925

Raoul Dufy (1877 - 1953),
was a belle époque Fauvist painter and an important Art Deco textile designer
Google Image Search
A Different Canvas by Liz Hager


Les Arums, 1919

Scale is one of the areas where Dufy is most adventurous, playing with the size of his patterns to the body of the wearer and considering the different feel of ornamentation that is visually closer to the scale of the body than to the scale of conventional adornment. Traditional fabric prints were always subordinate to the body, but Dufy raises them to a scale where they compete for attention with the wearer herself. Also, the graphic nature of his designs, coupled with the scale of his prints, vie for primacy with the silhouette of the body. When there is no clear winner, the body becomes almost abstracted by the textile. The scale of Dufy’s design elements in relation to the body are less similar to European fabric traditions and closer to traditions of body painting and tribal adornment. (jacksonfreepress)

more Raoul Dufy fabric designs:

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